Transformation of Jaṭāmukuṭa during Majapahit Period in Java
Keywords:
Jaṭāmukuṭa, Late Classical Era, MajapahitAbstract
Jaṭāmukuṭa is a hairdo/headgear in the form of high-styled braids, sometimes arranged in layers after layers of braids giving the impression of being stacked. In Hindu iconography, jaṭāmukuṭa is a usnisha-bhusana (headdress) which is an attribute of Lord Śivā, so it is often used to identify statues of Śivā and his wife, Parvati. However, in its development, the shape of the jaṭāmukuṭa has changed. This study aims to identify and map the changes in jaṭāmukuṭa in terms of shape and variety, with a focus on the Late Classical period in East Java. From the research results, it was found that in the Majapahit era, there were three types of jaṭāmukuṭa and there was a tendency to describe jaṭāmukuṭa as kirīṭamukuṭa. This is in line with the development of art in the Late Majapahit era which moved towards a rigid depiction and shows the influence of local genius.
Downloads
References
Maulana, R., Ikonografi Hindu. Jakarta: Universitas Indonesia, 1997.
Rahardjo, S., Peradaban Jawa: dari Mataram Kuno sampai Majapahit Akhir. Jakarta: Komunitas Bambu, 2011.
Budiarto, E., Dewa-dewi Masa Klasik Jawa Tengah. Klaten: Pelestarian Peninggalan Purbakala Jawa Tengah, 2009.
Acharya, P. K., Architecture of Manasara: Illustrations of Architectural and Sculptural Objects, with A Synopsis, Manasara Series: Vol. V. New Delhi: Munshiram Manoharlal Publishers, 1995.
Wahyudi, D. Y. & Jati, S. S. P., Arca Dwarapala Raksasa Gaya Seni Kadiri, Singhasari, dan Majapahit, J. Sej. dan Budaya, 12(2), pp. 180–193, 2018.
Paramaesti, C., Perhiasan sebagai Penanda Stratifikasi Masyarakat pada Relief Lalitavistara Borobudur, Universitas Gadjah Mada, 2014.
Maulana, R., Śivā Mahadeva: Suatu Analisis Ikonografi di Jawa Masa Hindu-Buddha, Makara, Sos. Hum., 6(1), pp. 18–22, 2002.
Bagus, A. A. G. Arca Ganesa Bertangan Delapan Belas di Pura Pingit Melamba Bunutin, Kintamani, Bangli, Forum Arkeol., 28(1), pp. 25–34, 2015.
Munandar, A. A. Arkeologi Pawitra. Jakarta: Wedatama Widya Sastra, 2016.
Suryana, C. Makna Simbolik Dan Wujud Estetik Naga Dalam Kebudayaan Jawa, ARTic, 2, pp. 83–91, 2018.
[Sumardjo, J. Estetika Paradoks. Bandung: Sunan Ambu Press, 2006.
Sedyawati, E. Pengarcaan Ganesa Masa Kediri dan Singhasari: Sebuah Tinjauan Sejarah Kesenian. Jakarta: Lembaga Ilmu Pengetahuan Indonesia, 1994.
Susetyo, S. Gaya Seni Arca Masa Kadiri, in Arkenas Mengajar: Belajar Bersama Arkenas, 2021.
Susetyo, S., Periodisasi Candi Simangambat: Tinjauan Terhadap Beberapa Temuan Ragam Hias Candi, Amerta, 29(2), pp. 40–51, 2020